The pipeline, start to finish. The output is a real .cube file you own.
A few preview frames, read in your browser.
Camera and log profile identified.
Exposure and white balance fixed per clip.
The look you described, applied on top.
Up to five candidates rendered and compared. The best wins.
A real .cube, 33 or 65 point.
2.0 does not guess once and hope. It renders every candidate and a second model picks from the results.
A LUT is a 3D lookup table: a map from every colour to a new colour. Yours works in Resolve, Premiere, Final Cut and CapCut. Guides
Your footage never uploads. Pixel processing runs on your machine. Only up to three small preview stills go to the AI.
No. It builds a corrective transform for your specific clip, then applies the look you asked for. The result is a .cube file you own, not an effect locked to one app.
A 3D lookup table that maps every colour in your footage to a new colour. It works in Resolve, Premiere, Final Cut and CapCut.
No. Pixel processing runs on your machine. Only up to three small preview stills go to the AI.
S-Log3, C-Log3, V-Log, D-Log, Apple Log and standard profiles. Detection is automatic, with manual override.